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VINTAGE REVIEW: ‘Nosferatu’ (1922)

April 9, 2010
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Nosferatu is considered the grandfather of the modern vampire film, and rightfully so.  This classic stil stands up against the test of time, all thanks to the frightfully realistic acting of Max Schreck as the Graf  Olof/Dracula.

The film, based on the book by Bram Stoker (which is a good read, by the way), chronicles the journey to Eastern Europe taken by an estate agent named Harker (or Hutter, since this movie is set in Germany whilst the book is set in England), to meet with a mysterious client. Meanwhile, Harker’s wife Mina(Ellen in the movie) fears for his safety.

The film is terrifying in many ways-firstly, the build-up to the scenes where we actually meet Nosferatu is foreboding enough, but they become even more scary because our main character Harker obliviously smiles through most of them, not aware of what trouble he is actually going to get into when he goes to Nosferatu’s castle.

Secondly, the film uses technology such as creative editing to make Nosferatu unearthly creepy. Through editing, he can open doors with his mind, become invisible, move at an inhuman pace, and disappear into smoke.

But the editing wouldn’t be as successful at creating a full-bodied character if it weren’t for Schreck’s acting and appearance. His slow, methodical movements, dark-rimmed eyes, and skeletal look (complete with long, claw-like fingers), creates a look that both instills fear and creates awe. When you watch this vampire, you might think, “This is how vampires are supposed to be.”

If you’ve read the book, don’t go into this film thinking it is going to be verbatim; it’s not. As stated before, this film is set in Germany, not England, and everyone’s name is changed. The second half of the movie also doesn’t totally coincide with the book, especially the ending. But for those who liked the sexual commentary found in the book, you’ll be at least partially satisfied with what’s been put into this film.

Also, this is a silent movie, so if you are hooked on talkies alone, this movie might be a bit boring for you. But I would suggest that you view it, at least for the historical value. The methods that made this movie might be outdated, but the fear created  is still current.

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